Authors
- Chalysheva Kseniia O.
Annotation
This article examines Michel Foucault’s concept of heterotropy and its development in modern theater. The techniques of simultation in modern theater are investigated.
Special attention is paid to the analysis of simultaneous reality as a new type of stage reality, as well as to the consideration of verbatim technique and its role in the formation of a new documentary theater. The author explores the increased level of immersiveness in modern theater, as well as changes in the auditorium and stage spaces.
How to link insert
Chalysheva, K. O. (2025). THE RECEPTION OF SIMULTANEITY IN MODERN THEATER Bulletin of the Moscow City Pedagogical University. Series "Pedagogy and Psychology", № 4 (56), 98. https://doi.org/10.24412/2078-9238-2025-456-98-106
References
1.
1. Foucault, M. (1977). Words and things. Archeology of the humanities (V. P. Vizgin, & N. S. Avtonomova, Trans.). Progress. (In Russian).
2.
2. Foucault, M. (1984). Of other spaces: Utopias and heterotopias (Jay Miskowiec, Trans.). Architecture, Mouvement, Continuité, (5), 46–49. (Original work published 1967).
3.
3. Nalbandyan, S. A. (2016). Simulation of reality in contemporary documentary theatre. International Research Journal, (6 (48)), 92–94. (In Russian).
4.
4. Kaluzhskikh, E. V. (2014). Special composition of documentary and verbatim plays. Herald of the Chelyabinsk State Academy of Culture and Arts, (1 (37)), 74–76. (In Russian).
5.
5. Vetelina, L. G. (2009). “New Drama” of the 20th–21st centuries: Problematics, typology, aesthetics, historical background. Herald of Omsk University, (1 (51)), 108–114. (In Russian).
6.
6. Haunin, V. G. (2013). Simultaneity and creativity as the basis for the development of dramaturgic thinking in the future of the scriptwriters, directors and producers of a theatrical show program. Proceedings of the Saint Petersburg State University of Culture and Arts, 200, 151–162. (In Russian).